5 Reasons to Support Queer Lit on May 21!

 

 

 

 

 

 

May 21 is National GiveOUT Day, a day that mobilizes thousands of individual donors across the country during a 24-hour period to give in support of LGBT nonprofits. And we are here today to give you 5 reasons to give to Radar (you can find our page by clicking here & searching for “Radar Productions”) come Thursday!

1. We give you cookies

Where else can you hear 4 incredible artists followed by an intimate Q&A where your inquisitiveness is rewarded with a fresh home made cookie? Literally NOWHERE except our monthly Radar Reading Series at the San Francisco Public Library.

2. We talk about failure

Unlike most respectable literary non-profits, we are not afraid to broach complex and uncomfortable subjects.. like FAILURE. In fact, we have an entire festival dedicated to the topic called #QUEERFAIL, happening in San Francisco June 15-21 and featuring amazing artists and intellectuals like Jack Halberstam, Dynasty Handbag, Maggie Nelson and CA Conrad.

3. We offer an ungodly amount of free and super cheap programming

We get that you’re broke and that you were hit hardest by the global economic collapse. We’re here to help you save those precious dollars on the hoop earrings you need for self care with our 50+ events a year, most of which are free or under $20.

4. We love you

Yeah, it’s kinda early to commit to such a bold statement, but we’re ready to be co-dependent if you are.

5. We’re doing something really amazing in a city with a shrinking queer lit scene AND WE’RE COMMITTED TO STAYING

It’s increasingly difficult for artists and even art administrators to remain in San Francisco, but we love the Bay Area and we’re in it for the long haul. Help us keep this work local.

So, yeah, give us $10 or $100 on National GiveOUT Day and then tell us you did at the next free/cheap literary event you come to and we’ll smile at you and give you a cookie.

 

A Letter from Michelle Tea on 12 Years at Radar

Michelle Tea will be leaving her post as Artistic Director of Radar Productions after 12 amazing/weird/amazing years. Radar welcomes a new Artistic Director, Juliana Delgado Lopera, as of July 1, 2015. Here’s some words from Michelle: 

 

Dear World,

At the end of June I will be leaving my position at RADAR Productions. RADAR is probably the best thing I’ve ever made in my life, with the exception of my son, and he’s the main reason I’m leaving. How in the world did I think I would be able to have a baby and run a non-profit and be a writer and have a social life / spend time with my wife and not lose my mind? Running a non-profit is hard, even with the support of so many amazing organizations over the years. Realizing I cannot be present for my son and prioritize my writing and do a good job at RADAR, I am leaving the organization in the inspiring hands of Virgie Tovar, who will continue on as Managing Director, and Juliana Delgado Lopera, who will step into the Executive Director role come July 1st. If you know Juliana you know why I asked if she would take over RADAR, and if you don’t know her you’re psyched because you’re about to familiarize yourself with a fantastic writer and literary organizer. Juliana had been coming to RADAR to years, but I met her at a queer book club hosted by the writer Rhiannon Argo. Rhiannon hissed to me, You should put Juliana in RADAR, she’s really good. And I did, and she was! Really, really good! The more I learned about Juliana the more my respect and admiration grew (and continues to grow). She edited 14 Hills while getting her masters at State. Her oral history of queers who immigrated to San Francisco from Latin America in the 80s is amazing and crucial. Maybe you caught it on the cover of SF Weekly a few years ago or maybe you went to the sold-out party for the book, Cuantemelo! Juliana organized that event and it was one of the best and best attended of that year’s National Queer Arts Festival. She works at the GLBT Historical Society Museum in the Castro, and has experience doing grant and project management and community-based non-profits. And she’s queer! I could not be happier that RADAR is moving into her hands, and I’m excited to see what she does with it.

This is the second version of this letter; the first ran seven pages long because I went cuckoo trying to thank all the people who have made this organization happen over the past decade-plus. Guess what? It was boring and a little megalomaniacal. I hope I’ve expressed my gratitude through the years to everyone who has helped, volunteered, funded, supported, read with, came to, worked for, collaborated with, donated to RADAR. It is really astounding, the hundreds and hundreds of people who helped me do this thing!

Listen. Please continue to support RADAR. It is a triumph to be able to hand over a healthy, queer literary non-profit to the next generation. RADAR will continue existing programs such as The RADAR Reading Series and the Sister Spit tours, and it will surely introduce new programming as well. Please stick by its side, come to events, promote shows you think your people might want to know about, make a donation when the metaphorical hat is passed around. Even with the foundational support, running a non-profit will always be a labor of love, and all contributions really make a significant difference. And, if you’re a writer who has read at RADAR events (or would like to) please friend Juliana on Facebook (and like RADAR while you’re at it!) and reach out to her at info@radarproductions.org and introduce yourself.

Okay that’s about it. I’m going to bed.

xo,

Michelle

Sassafras Lowrey, author of Lost Boi, Reads May 5 at Radar Reading Series!

Photo Credit Sarah Deragon

 

 

 

 

 

 

 

 

 

 

 

Sassafras Lowrey is the author of the new book Lost Boi (Arsenal Pulp Press), described as a “gorgeously subversive queer punk novel reimagines the classic Peter Pan story.” Sassafras will be reading at the Radar Reading Series on May 5 at the San Francisco Public Library (100 Larkin Street, Latino/Hispanic Rooms on the basement level of the library). This reading is FREE and begins at 6pm. We decided to chat with them about the book, the internet, and their dog Charlotte.

Radar: Why a retelling of the Peter Pan story? 

SL: It’s hard to NOT fall in love with the idea of a boi who refuses to grow up, who lives in a world of his own imagining with a gang of lost bois who do what he says…. Or at least it is for me. Seriously though, JM Barrie’s Peter Pan was already so dark it just lent itself so naturally  to the queer/punk/kinky retelling that I was dreaming of.

Radar: On an entirely unrelated note, is the internet ruining the world? 

SL: I actually think the Internet is making the world a whole lot better! Sometimes I feel like I have the minority opinion, but I think all the benefits of online community far outweigh any negatives. I’m an introvert at heart and the Internet helps me to stay connected to people I care about  without having to leave my house, it’s also how I’ve met and formed friendships with so many incredible queers from around the world. I love Facebook, Twitter, Instagram, fetlife – come be my friend!

Radar: Tell me about one person or experience that inspired you in the last 7 days.

SL: My dog Charlotte, last weekend when my partner and I took her out to the beach and she dug a giant deep hole that fit about half her body. There was no reason for digging the hole, other than it was fun and she did so with incredible enthusiasm. She’s a very special needs rescue, but one of the things about her that always inspires me is the way that she so completely and joyfully lives in every moment. It’s so easy to get hung up on worrying or being anxious about things, but I am inspired to take her lead and just play more!

Radar: Can you give one important piece of advice for artists/writer? 

SL: The best piece of advice I  can give to writers is to ignore your inner critic and  always write the most dangerous stories you can imagine.

Come meet Sassafras on Tuesday, May 5 at the San Francisco Public Library and hear a reading from Lost Boi as well as readings by Rina Ayuyang, Maya Chinchilla and Sarah Fontaine. Radar holds a monthly reading series at the Library that features four of our favorite artists. 

Charlotte digging inspiring hole


Nia King Interviews Ryka Aoki – See Them BOTH On February 12!

 

 

 

 

 

 

 

 

 

 

If you haven’t heard that Nia King edited a book called Queer & Trans Artists of Color: Stories of Some of Our Lives, well, then you’ve been failing at life. From the book’s description:

Mixed-race queer art activist Nia King left a full-time job in an effort to center her life around making art. Grappling with questions of purpose, survival, and compromise, she started a podcast called We Want the Airwaves in order to pick the brains of fellow queer and trans artists of color about their work, their lives, and “making it” – both in terms of success and in terms of survival. In this collection of interviews, Nia discusses fat burlesque with Magnoliah Black, queer fashion with Kiam Marcelo Junio, interning at Playboy with Janet Mock, dating gay Latino Republicans with Julio Salgado, intellectual hazing with Kortney Ryan Ziegler, gay gentrification with Van Binfa, getting a book deal with Virgie Tovar, the politics of black drag with Micia Mosely, evading deportation with Yosimar Reyes, weird science with Ryka Aoki, gay public sex in Africa with Nick Mwaluko, thin privilege with Fabian Romero, the tyranny of “self-care” with Lovemme Corazón, “selling out” with Miss Persia and Daddie$ Pla$tik, the self-employed art activist hustle with Leah Lakshmi Piepzna-Samarsinha, and much, much more.

Nia is revolutionizing the archive, y’all! Below is an excerpt from the book, featuring the interview Nia did with novelist, Ryka Aoki. See them both on February 12 at the Radar Reading Series -San Francisco Public Library – Main Branch – 100 Larkin Street in San Francisco – Latino/Hispanic Rooms A&B (basement level) – 6pm – FREE – Hosted by Virgie Tovar – Artist Q&A featuring REAL LIVE COOKIES to follow reading. Click here to view the Facebook invite

Here’s the excerpt:

Ryka: I don’t see myself as a warrior. I see myself as a teacher. When there’s somebody who’s my adversary, I don’t think of that person as an obstacle. I think of that person as a learning experience. I’m going to sometimes be the student; I’m going to sometimes be the teacher. But we’re going to get through this, and we’re each going to become wiser for the encounter. I’m not a fighter. I love learning, I love teaching. Why can’t we use that, and have social justice in a way where there doesn’t have to be a winner or loser, where we all become more aware?

Nia: Yeah. I feel like you’re describing utopia.

Ryka: Yeah, but the person who says, “We’re going to kill all our enemies so we’re going to be the only ones who are strong and we’re going to take justice back”—really, is that any more realistic?

Nia: I mean, I don’t know if that’s justice—

Ryka: That’s not justice. When you hear people going, “We’ve got to struggle against the man,” to me, that’s purgatory. You’re going to spend the rest of your life struggling against the man. You dream of purgatory, I’ll dream of utopia, and together we’re still going to work with each other. I’m not going to invalidate you; it’s just that I can’t see where you’re coming from and you can’t see where I’m coming from, but you know what? The heart can’t see the brain, but they work together.

Nia: Yeah, I really admire and kind of envy your wisdom and how… at peace with all of this you seem.

Ryka: I love what I do! I love to write! I love my teaching! You know, I teach on my birthday sometimes, and I tell my students, “My birthday wish for all of you is to have a job that you love enough that you want to come on your birthday and go do it!”

Nia: I’m getting emotional!

Ryka: Aww!

Nia: No, that’s really sweet! You just have this amazing spirit of kindness and generosity. I think it’s hard to maintain that. Often being in social justice makes people jaded and bitter, and you just don’t seem to have any of that at all!

Ryka: No. It’s like, every day that I can look out and see that tree and see how beautiful the light is off of it, I win.

Nia: Yeah. I feel like I look out that window and see the American flag and think about war and nationalism and—

Ryka: Sometimes it’s good to see the symbols. Sometimes it’s good to see the colors. The funny thing about being jaded is that people think that’s the end state; you start from innocent, and you become jaded. It’s like being a butterfly. You look at the monarch butterfly, and it looks like it’s jaded, but actually what’s going on there under the hard shell is a transformation. I think that if you just stay with the process, eventually you realize this sort of “jaded” covering is simply holding your wings back. Break through it, and you’ll be fine.

Nia King
artactivistnia.com

Banned Book Club: Carol Queen on Sexology, Journaling & the Trouble with the Interwebz

 

 

 

 

 

 

 

This Friday Radar will be at the Center for Sex & Culture in San Francisco (1349 Mission Street, between 9th and 10th) at 8pm for the Banned Book Book Club! We’re featuring an all-star perv lineup that will heat your cold little Grinch heart right up. $10 admission! Click here for the Facebook event details. 

Carol Queen will be breathing new and sexy life into Judy Blume’s work! She’ll be joined by La Chica Boom/Xandra Ibarra, Jiz Lee,  Lil Miss Hot Mess, Dodie Belamie, and Aya de Leon. We asked Carol a bunch of questions and wanted to share her infinite wisdoms with you:

Beside perhaps “artist” or “writer,” talk about another identity that matters to you.

I’m choosing “sexologist” as my alt ID; I’m doing so because so many people are studying sexology and trying to make lives as sex educators today, unimaginably many more than when I was a pup, and the culture has not kept up and made work for all of us. Sexology is still sort of a bastard child, professionally and academically, but the fact is, it is one of the most interdisciplinary fields anyone could ever tackle: everything from medicine to law to sociology to arts and literature live within its purview, because what isn’t relevant to sex?

Is the internet ruining the world? Why or why not.

Yes! Sorta. Here’s why I say this: When I turn to the Internet to research something, anything, I very often find that ‘Net-available information dries up by about the year 1998. I want to check something that happened earlier in my life, or get the kind of historical perspective I used to go to the library for, and I very often come up short. The Internet is information overload, of course. But it is vastly wide but not deep. Of course I could still go to the library, but not everything makes it into a book or journal; the Web promises us all knowledge, in a way, but a lot of the time it delivers us blogs and lists. Oh, and cats! And porn. Which people today apparently often mistake for sex education. (Oh, plus? Apparently libraries are getting rid of lots of books and teaching librarians to search the Internet. Sigh.)

Give us one piece of advice you want to share with artists – about life, bills, process, editing, brainstorming, anything.

I’m going to give advice I wish someone had given me. Back before I was ever published, I journaled––I journaled all the time, for many years every single day. Since I’ve been writing for publication, I abandoned that practice––when I thought about it at all, I’d say I stopped because I was pouring whatever I wanted to process and address into my fiction or essays. Maybe, but I really regret now not continuing that part of my writing practice. It gave me something in the way of introspective and processual opportunity that no other kind of writing does; also, it allowed me to document things that now I wish I’d documented throughout the ensuing 25 years. Keep up your journal, and don’t do it as a blog that everyone else can read––unless you will truly disclose everything in that format. In my experience, most people don’t, and that means a big segment of our generational truth is left on the cutting-room floor. We need that history.

Dr. Carol Queen [www.carolqueen.com] is a writer and cultural sexologist and is the co-founder of the Center for Sex & Culture [www.sexandculture.org] in San Francisco. She is a noted erotic writer and essayist whose work has appeared in dozens of anthologies. She’s written three books: the essay collection Real Live Nude Girl: Chronicles of Sex-Positive Culture; erotic novel The Leather Daddy and the Femme; and Exhibitionism for the Shy, which explores issues of erotic self-esteem and enhancement. She’s also edited several volumes of erotica and essays. Queen works as staff sexologist and Company Historian at Good Vibrations, the women-founded sex shop, where she has worked since 1990. She has been speaking publicly about sexuality for over 30 years. Her perspective in addressing sexual diversity incorporates personal experience, accurate sex information, and informed cultural commentary. She has addressed many conferences, including the International Condom Conference, the International Conference on Prostitution, and the International Conference on Pornography; she frequently addresses college as well as general and specialized audiences. Five years ago she debated the question of promiscuity (“Virtue or vice?”) for the Oxford Union at Oxford University, England.

Xandra Ibarra/La Chica Boom On Lesbionic Men, Boob Juice & Cockroaches

When you watch Xandra Ibarra/La Chica Boom perform you know that you are witnessing a spectacle (or as she would call it, a “spictacle”) unprecedented in terms of its grandiosity, brilliance, and perversity. Chica Boom will be reading at the Banned Book Book Club: Sex Edition at the Center for Sex & Culture on December 12 at 8pm. We asked Chica Boom some questions about her influences, fantasy date and advice for artists. Here’s what she said:

Who influences your work? 

I am influenced by everything. Maybe I am gullible; maybe I let in too much. Don’t care. I am influenced by my mom’s humor, the mushroom jazz in my panties, the interactions between animals, ‘Nordic track’ behavior, the catholic doctrine of transubstantiation and the rigor of cockroaches. Ugly things, color, sound, movement and lots and lots of feelings influence me. My zodiac sign is cancer; yup I feel, I feel you, but mostly I feel me. I am also influenced by my own obsessions whether they make sense or not. I perform them, photograph them, act them out or seek to experience them in some way or another. Fortunately or unfortunately my obsessions are always about sex and race and the multitude of ways that these two things work. I imagine the ways they work together in an alternate universe. I make boob juice or agua calientes, have you heard?

You get to have an epic dream date with anyone dead or alive: who are they and where do you go on your date?  

I would meet a 35-year-old Lacan in Mexico City at a dirty strip club called “Wawis” in the 1920s in the early afternoon. We would tip the dancers too much and get drunk. Then we would go drunk shopping for plants and street food to put in our new apartment. You see, he would become a lesbionic man and want to u-haul into my life. I would like it. He would love it.

One piece of advice you want to share with artists – about life, bills, process, editing, brainstorming, anything.

Being broke sucks. Learn to do lots of things porque nunca sabes cuando lo vas a necesitar.

Xandra Ibarra/La Chica Boom is an Oakland-based performance and video artist from the El Paso/Juarez border who performs and works under the alias of La Chica Boom. La Chica Boom is a performance art project that uses hyper-raciality/sexuality/gender as an expericne based mode of inquiry into her relationship with coloniality, compulsory whiteness and Mexicanidad. Ibarra uses video, objects, photography and sex acts to evoke comedy and melancholic racial and sexual expectation. Her aim is to amplify gendered and racialized iconography and make such problematic constructions via spectacle more transparent to the spectator‚—what she calls spictacles—spectacles of degeneracy and power that are both against and engaged in the colonial gaze.

James Tracy on Octavia Butler, SF Displacement & Being an Urbanist Not a Luddite

We chatted with James Tracy, author of  “Dispatches Against Displacement: Field Notes From San Francisco’s Housing Wars,” a bunch of personal questions and here’s what he said. He will be reading at the San Francisco Public Library (100 Larkin Street) on Tuesday, November 4 for the Radar Reading Series. Click here for the Facebook event page.  

Who influences you & your work? 
 Even though I don’t write Science Fiction, writers like Ray Bradbury and Octavia Butler really helped shape my moral compass and concern for what is going to happen in the future. I also love the 1970s school of blue-collar tough-as nails newspaper columnists such as Jimmy Breslin and Mike Royko. For Dispatches Against Displacement, I turned to the school of radical and progressive urbanism, Mike Davis, Saskia Sassen and Andy Merrifeld to name a few. Rebecca Solnit’s masterpiece A Paradise Built in Hell was really inspirational in the way that it showed how everyday people faced down disaster. The everyday disaster of displacement can bring out some similar strengths.
Many of the authors who most influenced me were the ones running around San Francisco in the 1990s, who were part of the open-mic scenes at the Paradise Lounge and Chameleon. To name just a few: Michelle Tea, Ananda Esteva, Bucky Sinister, Bruce Jackson, Daphne Gottlieb, and Leroy Moore. Most of these people wouldn’t be able to get a start in San Francisco today thanks to the high rents.
Is the internet ruining the world? Why or why not. 
The way we use the internet is ruining the world. Today, you can use it to learn a new language for free, communicate with people across the globe, and publicize your revolution. But we chose to use it to stay in tightly knit thought bubbles. Comments without analysis and actions without strategy. We let ourselves think that online petitions are a substitute for face to face mobilization with our neighbors.
Yes, the tech industry with its massive income inequality,selfish ideology, and ties to the surveillance state are a massive part of the problem with the world. But like any industry, the trick is to try to seize the means of production, democratize it and place it in the service of everyday people.
I’m an urbanist, not a luddite.
What’s one piece of advice you want to share with artists – about life, bills, process, editing, brainstorming, anything?
You’re never too good a writer that you don’t need an editor.

Jandy Nelson & Ebin Lee On Pizza at Eddies, Writing Like Yourself &Taking the Peanut Butter Out of the Fridge

We chatted with Jandy Nelson, author of I’ll Give You the Sun, and Ebin Lee, illustrator/poster artist, a bunch of personal questions and here’s what they said. They will be reading at the San Francisco Public Library (100 Larkin Street) on Tuesday, November 4 for the Radar Reading Series. Click here for the Facebook event page.  

 

 

 

 

JANDY NELSON

Tell us something that challenged you in your last project.

The structure of I’LL GIVE YOU THE SUN really challenged me, sending me off a cliff many times. It’s the story of these twins who’ve always been inseparable until tragedy strikes and rips them apart. And it’s also a tapestry of all these interweaving love stories: romantic ones: both gay and straight, complicated familial ones between mothers and daughters, fathers and sons, the dead and the living, artists and their art. The story is full of secrets and lies and betrayals and it’s also kind of a mystery. All the different webbing narrative elements and intricacies of the story really overwhelmed me at first–I felt like it was way way bigger than my ability. I knew I wanted it to be braid, knew I wanted to tell the story in the dueling points of view of the twins, from Noah’s perspective when the twins are 13, and Jude’s when they’re sixteen after the events that divide them. I finally realized the only way for me to write the novel was to write three novels so I wrote Noah’s story start to finish, then Jude’s story start to finish (which took over 2 1/2 years!) then spent a year weaving their stories together which was like writing a whole new novel. It was intense–the whole process took almost 4 years.

Describe your perfect meal.

My perfect meal is a picnic by a river in the hot sun with all my closest friends/family, both living and dead: crusty bread, this life-changing cheese I just discovered called Bonne Bouche, tons of finger foods prepared by Thomas Keller and then dark chocolate  truffles, all of it served with tons of Chateauneuf du pape and champagne.

Do you have a piece of killer advice for artists?

Don’t put peanut butter in the refrigerator. I just learned this and it’s been such a revelation!. Also, in terms of writing the best advice I ever got by far was this totally simple and obvious idea: Be yourself in your writing–get your personality on the page. Own your myths, monsters, and miracles. It doesn’t mean you need to write about yourself, just write like yourself. Like Oscar Wilde says, “Be yourself: everyone else is already taken.” This advice absolutely changed writing-life.

 






 


EBIN LEE

Besides “artist,” talk about another identity that matters to you. 

My identity as Black kind of encompasses everything about me.

You get to have an epic dream date with anyone dead or alive: who are they and where do you go on your date? 

My dream date would be with Neicy Nash. If i didn’t pass out from sheer excitement/nerves at the news that Queen Neicy accepted my date request, I’d take her for pizza at Eddies on Killingsworth (In Portland) and then after we would sip wine sprtizers and watch re-runs of Clean House.

What advice do you have for other artists?

Make tons of embarrassing drawings.

 

Mimi Nguyen On Epic Dream Dates with Keanu Reeves, Tenure & Obscurantist Labor

Mimi will be reading at the November 4 Radar Reading Series at the San Francisco Public Library. We asked her some questions about dating, writing and advice for artists. 

 

Tell us about something that challenged you during your last (or a current) project. 

The worst thing about writing the first book (The Gift of Freedom) was that I had to finish it according to an external deadline – tenure. At some point I found I wasn’t writing to answer a question about liberal empire, or to close the circle of the argument, but to meet an institutional metric for a “productive” scholar. And even though I was writing with friends confronting the same metric –we would literally sit in a room together and write for hours, next to one another, chatting about a sentence one minute and leading each other through some stretches another—it was still an incredibly isolating experience.

The moment I remembered that I had an intensely satisfying creative and intellectual life long before I came to the academy was transformative. A feminist literary scholar named Janice Radway came to my campus and in a lecture discussed my work as a zinester (with particular reference to the Race Riot compilations, and feminist critical theory in my zines) and its relationship to my scholarship now. I had been feeling so under seige on the tenure track that I cried for a few days afterward, because I understood so acutely what I had been missing for the last few years – which was writing to the question, for the argument, and of course, for myself.

 

You get to have an epic dream date with anyone dead or alive: who are they and where do you go on your date? 

My friends reading this would know it’s a lie if I chose anyone but Keanu Reeves. That said, I have no idea what an “epic dream date” would be, and having only been on a few “proper” dates, and it seems like it would be awkward to go on a grown-up, straight-person date with Keanu Reeves.

But pretending as if this isn’t the most awkward question, we could just go to a punk show on his motorcycle (or if he still has access to that time-traveling telephone booth, we could take the booth to the Hong Kong Café to see The Bags or The Go-Go’s in 1979), and then spend a few hours going through the boxes of zines and records in my living room I haven’t made time to read or listen to yet. After that, we could choreograph a mash-up of a movie-fu fight with Kate Bush’s “Wuthering Heights” dance and put it on YouTube as a performance piece. I hope he kept his sleeveless denim jacket from River’s Edge, because I would wear the crap out of it in the video. (Also I would be wearing Madonna’s boots from Desperately Seeking Susan, since those are the most epic shoes.) And then we could make a 24-hour zine about making art and getting older, and I could impress him with my carefully hoarded Letraset collection.

I should note that I am answering these questions with a cold fogging my brain. The other night, while otherwise wiped out on Advil, I randomly started a site to archive all the responses to Kara Walker’s “A Subtlety, or The Marvelous Sugar Baby.” I am totally a good time, Keanu.

 

Give us one piece of advice you want to share with artists – about life, bills, process, editing, brainstorming, anything.

I don’t have advice as much as I have “random questions about the nature of work.” How do we reproduce troubling measures of civic and capitalist productivity through binaries of activity/passivity in our cultural work? How do we evaluate an artistic process or object or experience? Through what measures of value, accountability – and to whom? As a scholar, I hear from both administrators and activists that the intellectual labor I do “should” yield concrete outcomes – whether in publications or grants, or in something measurable as “social change.” I worry about what these utilitarian (and sometimes authoritarian) demands mean for us, especially because I want to hold out a place for creative and intellectual labors that are slow to unfurl, or otherwise appear to the efficacious eye as useless, obscurantist, impractical, marginal, or wholly unproductive.

 

Trending: Thomas Page McBee’s MAN ALIVE

 

 

 

 

 

 

 

 

 

 

When you get the pleasure of hearing Thomas McBee share from his history, you’re kind of immediately.. smitten. Though based out of New York, you Bay Area babes are in luck because he’s going to be in town in a big way in October.

Oh.. yeah.. and Radar totally snagged him for the 2015 Sister Spit Tour (lots and lots of details on that forthcoming, but mark your calendars for Mar-April 2015 in spots like Chicago, Arcata, New York, LA and lotslots more and we’re still booking).

We’re STOKED! THRILLED! And filled with the kind of joy that is typically only inspired by having a thousand tiny kittens crawling all over us that Thomas’ new book MAN ALIVE: A True Story of Violence, Forgiveness and Becoming A Man is out in the world, available in print and exploding on the interwebs as we speak. Out from the City Lights/Sister Spit imprint, this book has already been described as “exquisitely written” by Jack Halberstam and a “sweet, tender hurt of a memoir” by Roxane Gay.

We want you to know all there is to know about this book and about Thomas and make the discussion around masculinity and identity accessible to EVERYone on the internets (just in case you happen to miss him while he’s on tour with the book) so we curated a blog tour for MAN ALIVE.

Blog Tour Details:

Throughout October, Thomas and Man Alive will be featured on the following sites:

Click for details on the San Francisco and New York book release parties for Man Alive.

Some of the blog tour dates are still tentative. We’ll post updates and links on the Radar Facebook page as well as Twitter. Follow us for updates about Radar events, the Sister Spit tour, and our favorite artists! Support the book by adding the hashtag #ManAliveMonth to your social media updates.

 

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